(View frame restoration samples.)

Click any of the images below to display a larger version of the before and after photos in slideshow format (the Show as Slideshow link does not work in all browsers).


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Before – There was a significant amount of staining and buckling of the paper’s surface due to water damage.

After – The painting was removed from the old fabric support and was cleaned. The water stains were greatly diminished and are barely visible. The painting was re-attached to a new fabric support. If the client had wished to do so, we could have further reduced the discoloration by performing more in-painting.



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Before – This is an example of an antique poster that had ripped along the creases where it had been folded. There are water stains and discoloration as well.

After – The rips have been repaired and the artwork has been relined. The water staining was also addressed.



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Before – The painting had been cut into two pieces, folded, and the wrinkling had been virtually pressed in. The face of the mother has been cleaned in this view. This painting had been in this condition for many years and removing all traces of the wrinkling posed a major challenge.

After – The finished painting has been cleaned; the distortions that resulted from the painting being cut in half and folded have been minimized; the painting has been relined and in-painted.



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Before – George Peter Alexander Healy was one of the pre-eminent American portrait painters of the mid nineteenth century. His huge painting Webster’s Reply To Hayne hanging behind the stage at Faneuil Hall, Boston contains one hundred and thirty portraits. In this oval portrait of British Ambassador Lawrence, one can see the result of years of neglect. In addition to the heavy deposits of dirt, grime and discolored varnish, the canvas has split where it turns over the edge of the stretcher. This has resulted in very uneven tension, exacerbated by the oval shape, causing the buckling and severe distortions that can be seen.

After – The painting was cleaned, flattened and lined. The bulges, folds, and dents visible in the ‘before’ photo were removed. The finished painting is flat and stable, and the colors look pure and fresh.



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Before – This salon painting is by the 19th century academic painter Hughes Merle. Merle was a student of the leader of the French Academy, William Bouguereau. He was such a talented student that Bouguereau entrusted Merle with instructing his wife. In the example seen here before treatment, one can see the discolored varnish that gives the painting an overly hot look. In addition to the muddy tonality, the crackle and raised cupping detract significantly from the bucolic image and the artist’s highly accomplished technique.

After – The painting after undergoing conservation treatment. The painting was cleaned and lined. The cracking and cupping are no longer visible, and the colors have the cooler tonality that the artist intended. The painting’s beauty is now evident for all to see.



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Before – This painting exhibits yellowed varnish and a paint film which is cracked and lifting.

After – With the yellow tonality gone, the soft greens and vibrant auburns can now be appreciated. Also, the pronounced cracked and lifting paint film has been set down.



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Before – This handsome portrait is in rough shape. It is covered with dirt, grime and discolored varnish. The surface has abundant raised crackle and cupping, causing distracting irregularities in the surface plane. There are paint losses scattered over the surface and, without treatment in the near future, more will follow, diminishing both the appearance and value of the painting.

After – The painting after complete restoration. All of the distractions have been corrected, leaving the viewer to focus on the sitter’s personality and the artist’s skill, not the condition of the painting.



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Before – This wood engraving by Albrecht Durer has deteriorated over time. Stains and overall discoloration due to acidic content have become distracting to the image.

After – The spots have been removed and the acid in the paper has been neutralized. This acidic content caused discoloration and premature deterioration of the artwork.



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Before – This poster on thin, brittle paper shows signs of acid burn, discoloration, water damage and severe damage along its outer edges.

After – After flattening and mending, the work no longer suffers from the ravages of time.


Art Conservation Since 1850- contact us

If you have works of art in need of restoration or conservation, contact us to see how we may be of help.